Tim-Burton.net » Charlie And The Chocolate Factory

David Kelly, le grand-père de Charlie est mort

Laston — Tue, 14 Feb 2012 08:35:16 +0000

David Kelly, l’acteur irlandais jouant Grand’pa Joe dans Charlie and the Chocolate Factory est mort hier à l’âge de 82 ans. Il laisse derrière lui une carrière de plus de cinquante ans tant à la télévision que sur scène ou au cinéma. Son dernier rôle fut en 2007, dans le film Stardust.

Amuse-toi bien en bas à boire des pintes avec Napo, Emily et comparses et méfie-toi du cavalier sans tête !

Source : BBC

En discuter sur le Forum

Merci à Eledhwen pour l’info.

La Cité de la BD d’Angoulême rend hommage à Tim Burton

Laston — Thu, 03 Jun 2010 10:09:15 +0000

La Cité de la BD d’Angoulême fera du 23 juin au 6 juillet 2010 une rétrospective consacrée à Tim Burton, projetant des films qu’il a réalisés ou produits. Seront ainsi projetés, toujours en version originale sous-titrée en français:

Vincent
Pee Wee’s Big Adventure
Beetlejuice
Edward Scissorhands
Batman Returns
The Nightmare Before Christmas
Ed Wood
Mars Attacks!
Sleepy Hollow
Big Fish
Charlie and the Chocolate Factory
Corpse Bride
Sweeney Todd
9
Alice in Wonderland

Chaque film est diffusé lors de plusieurs séances.

Source et programme: La Cité de la BD d’Angoulême

En discuter sur le forum

Cycle Tim Burton à Bruxelles

gordie — Thu, 07 Jan 2010 22:08:42 +0000

Une fois n’est pas coutume, la Belgique accueille en sa capitale (ben oui ! Bruxelles !) une rétrospective consacrée à Tim Burton.
Une bonne partie de sa filmographie sera diffusée au centre culturel Jacques Franck, du 7 au 31 janvier.

Plus d’infos sur le site du Jacques Franck !

jeudi 7 janvier, 20h : Edward Scissorhands
dimanche 10 janvier, 20h : Ed Wood
vendredi 15 janvier, 20h : Sleepy Hollow
dimanche 17 janvier, 20h : Big Fish
dimanche 24 janvier, 20h : Charlie and the chocolate factory
mercredi 27 janvier, 20h : Corpse Bride
dimanche 31 janvier, 20h : Sweeney Todd

Le Marathon Tim Burton

gordie — Sun, 29 Mar 2009 15:19:26 +0000

3639

Tout part d’une idée excellente d’Eledhwen sur le forum. Puisque Alice aux Pays des Merveilles, version Tim Burton, sort sur nos écrans dans tout pile un an (5 mars aux USA, 24 mars en France), pourquoi ne pas profiter du compte à rebours pour se repasser toute sa filmographie jusqu’à la sortie du film ?

Le défi parfait pour voir ou revoir chacun d’entre eux en attendant l’arrivée du Lapin Blanc…

Chaque mois, un nouveau film de Tim Burton sera ainsi mis à l’honneur. L’occasion de voir ou revoir ce film, de le resituer dans la filmographie de son auteur, mais aussi d’en reparler sur le forum. Un topic spécifique dédié à ce film sera ouvert pour pouvoir accueillir vos réactions.

Et on continue comme ça jusqu’à la sortie d’Alice !

Chacun de ces topics restera par la suite épinglé dans le forum, formant une sorte de journal de bord de ce défi…
Une prise de température de la filmographie de Tim Burton vue sur cette période définie !

Une bonne occasion également de relire chaque dossier dédié du site, et d’y laisser des commentaires concernant des inexactitudes ou même de les compléter.

Allez… 3… 2… 1… Partez !

avril 2009 : Vincent (1982), Frankenweenie (1984) et Pee-Wee’s Big Adventure (1985)
mai 2009 : Beetlejuice (1988)
juin 2009 : Batman (1989)
juillet 2009 : Edward Scissorhands (1990)
août 2009 : Batman Returns (1992) et The Nightmare Before Christmas (1993)
septembre 2009 : Ed Wood (1994)
octobre 2009 : Mars Attacks! (1996)
novembre 2009 : Sleepy Hollow (1999)
décembre 2009 : Planet of the Apes (2001)
janvier 2010 : Big Fish (2003)
février 2010 : Charlie and the Chocolate Factory (2005) et Corpse Bride (2005)
mars 2010 : Sweeney Todd (2007)

Music From The Films Of Tim Burton

Jeremy — Tue, 15 Jul 2008 22:00:36 +0000

Compositeurs: Danny Elfman (The Nightmare Before Christmas, Corpse Bride, Sleepy Hollow, Batman, Batman Returns, Edward Scissorhands, Charlie And The Chocolate Factory, Beetlejuice, Pee Wee’s Big Adventure, Mars Attacks!), Howard Shore (Ed Wood), Stephen Sondheim (Sweeney Todd)
Chefs d’orchestre: James Fitzpatrick (Sweeney Todd, The Nightmare Before Christmas, Sleepy Hollow, Batman Returns, Charlie And The Chocolate Factory, Ed Wood), Nic Raine (Batman, Edward Scissorhands, Beetlejuice, Mars Attacks!)

Habituellement je n’aime pas les réenregistrements parce qu’ils sont souvent moins bons que les versions originales, mais là les morceaux sont plutôt bien interprétés, et on a en plus droit aux versions instrumentales inédites de trois chansons de Sweeney Todd.

Label: Silva Screen Records
Date de sortie: 16 Juillet 2008
Nombre de pistes: 15
ASIN: B001A8VRVC

Track Listing:

Main Title (From Sweeney Todd)
No Place Like London (From Sweeney Todd)
A Little Priest (From Sweeney Todd)
Johanna (From Sweeney Todd)
Christmas Eve Montage (From The Nightmare Before Christmas)
The Piano Duet/Victor’s Piano Solo (From Corpse Bride)
End Credits (From Sleepy Hollow)
Batman Suite (From Batman)
End Credits (From Batman Returns)
Main Title/Ice Dance (From Edward Scissorhands)
Finale (From Charlie And The Chocolate Factory)
Main Title (From Beetlejuice)
Breakfast Machine (From Pee Wee’s Big Adventure)
Main Title (From Ed Wood)
Introduction/Main Title (From Mars Attacks!)

Liens

Charlie And The Chocolate Factory – Edition Prestige (zone 2)

Jeremy — Tue, 24 Oct 2006 22:00:50 +0000

Réalisateur: Tim Burton
Rapport: 1.85 : 1
Date de sortie: 25 Octobre 2006
ASIN: B000CD9U92
Audio:
- français (Dolby Digital 5.1)
- anglais (Dolby Digital 5.1)
Sous-titres:
- français
- anglais
- arabe
DVD 1:
- Le Film
- Les Bandes Annonces
DVD 2:
- Un Savoureux Mélange
- Fantastique Mr. Dahl
- Devenir un Oompa-Loompa
- Le Making Of
- Le Jeu DVD-Rom

L’Edition Prestige inclut le livre de Roald Dahl et le CD de la musique originale du film.

Liens

Charlie And The Chocolate Factory – Edition Simple (zone 2)

Jeremy — Tue, 07 Feb 2006 22:00:40 +0000

Réalisateur: Tim Burton
Rapport: 1.85 : 1
Date de sortie: 8 Février 2006
ASIN: B000CD9U4M
Audio:
- français (Dolby Digital 5.1)
- anglais (Dolby Digital 5.1)
Sous-titres:
- français
- anglais
- arabe
Contenu:
- Le Film
- Les bandes annonces

Liens

Charlie And The Chocolate Factory – Edition Collector (zone 2)

Jeremy — Tue, 07 Feb 2006 22:00:27 +0000

Réalisateur: Tim Burton
Rapport: 1.85 : 1
Date de sortie: 8 Février 2006
ASIN: B000CD9UE2
Audio:
- français (Dolby Digital 5.1)
- anglais (Dolby Digital 5.1)
Sous-titres:
- français
- anglais
- arabe
DVD 1:
- Le Film
- Les bandes annonces
DVD 2:
- Un Savoureux Mélange
- Fantastique Mr. Dahl
- Devenir un Oompa-Loompa
- Le Making Of
- Le Jeu DVD-Rom

Liens

Trouve le ticket d’or !

gordie — Fri, 25 Nov 2005 19:02:43 +0000

6086

Le site américain officiel de Charlie et la Chocolaterie annonce que 5 Golden Tickets ont été glissés dans les dvds “2 disc deluxe edition”.
Ils feront gagner à leurs heureux possesseurs un vrai distributeur à bonbons rempli de chocolats Wonka ainsi qu’une fête pour chaque gagnant et 10 de ses amis.
Malheureusement le concours n’est valable qu’aux États-Unis…

Grr !

I Don’t Consider Myself Dark

gordie — Sun, 16 Oct 2005 11:52:07 +0000

He is one of the most celebrated directors of his generation. Tim Burton is the man behind “Batman,” “Beetle Juice,” “Sleepy Hollow,” “Edward Scissorhands” and “Ed Wood.” This year, the 47-year-old director added two more soon-to-be classics to his resume: “Charlie and the Chocolate Factory” and “Corpse Bride.” With “Batman” and its sequel “Batman Returns” released on DVD this week, he spoke to Newsweek’s Ramin Setoodeh.

NEWSWEEK: Hi. You’re in London now. What’s the weather like?
Tim Burton: It’s raining.

It’s raining here in New York, too. It looks like the set of one of your movies—it’s so dark outside.
Well, I like it. I’ve been here for several years. I’ve done like three or four movies here. The weather and the environment suits me.

Are you working on anything now?
After finishing “Charlie” and “Corpse Bride,” two at once—you need to . . .

Take a break?
I’m not doing anything right now.

I read somewhere that Johnny Depp says there might be a sequel to “Charlie and the Chocolate Factory?”
I don’t think so. For him as an actor, with him doing “Pirates,” he likes revisiting characters sometimes. For me, doing sequels is not a good idea. I don’t really see it.

But you did a sequel to “Batman.”
I got some flack on that one. That’s what made me feel like I shouldn’t do sequels. A lot of people got on my case on that.

Right, and I don’t understand why, because I think it’s the best “Batman” film.
It was a weird phenomenon. I remember going through a lot of press stuff—and half the people would go: “This is much lighter than the first movie.” And it was split down the middle: “This is so much darker than the first.” How could a movie be lighter and darker? It just didn’t make any sense to me. It was a confusing experience.

Well, do you think it was lighter or darker?
I didn’t think much about it, really. It’s more of a label that’s put upon you. I don’t consider myself a dark person. I don’t think I’m going to make a lighter movie or a darker movie. You let the material be what it is.

The reason I like “Batman Returns” so much is the richness of the villains.
That’s why I think “Batman” is my favorite comic. I love the Joker and Catwoman and the Penguin. I love giving them a back story. It’s easier with the Joker. But with Catwoman and the Penguin, I think that’s what spurred me out. Where it got a lot of flack was I spent too much time on those characters and people kept thinking Batman was a secondary character. I was just trying to respect who I thought that character was. He was a guy who likes to remain as hidden as possible. He’s not trying to be as flamboyant as the villains and do James Bond one-liners. That’s why I never gave him a Robin character. He wants to be alone, you know.

But I thought originally Robin was supposed to be part of “Batman Returns.”
There was always talk about it. But for me, at the end of the day, I felt like I couldn’t go there. It just didn’t feel right with who the character was. The whole point of him is that he’s repressed and he has a lot of issues and he’s hiding in a cave. If you bring somebody else to live with you in a cave it turns in more into—I don’t know—a caveman movie.

Did you know you wanted Michael Keaton right away after “Beetle Juice?”
No. We were looking at a lot of traditional, superhero types—square jawed, chiseled actors. Then it dawned us that Batman is a guy who isn’t that. He’s trying to create a persona. He’s trying to become something that he’s not. After working on Michael with “Beetle Juice,” he had a wildness in his eyes, a pent up energy. He just really felt right.

But later in the series, we get George Clooney, Val Kilmer, Christian Bale. They’re all chiseled.
But we were in new territory at the time. At the time it felt right to me, from a psychological point of view. I kept thinking if the guy was such a strong looking, tough looking guy, why would he make this bat suit? Why doesn’t he just put on a mask and go kick the shit out of people? That, for me, fed into the effect of somebody trying to create this weird persona of something that they’re not.

What about Catwoman. Did you know you wanted Michelle Pfeiffer?
Actually, we had cast Annette Bening. And she got pregnant. She would’ve been great—but Michelle was just fantastic. She did things that amazed me. I really admire her. First of all as an actress. But then doing things like skipping around with a whip on sloped wet roofs on three-inch Manolo Blahniks is harder than it looks.

Is there another comic book adaptation that you would die to do?
Well, now I feel like every version is a dark comic book. I don’t know. I think you almost want to switch and see some guy in yellow tights with purple underwear who’s not so tormented.

Have you seen the new Batman movie?
No. Which I’m kind of glad about.

Because you’re afraid if you didn’t like it . . .
No. It’s not that I’m afraid that I won’t like it. I just think it’s unfair. The media likes to pit people against other people. The people out there can decide for themselves which movies they like and which movies they don’t like and that’s the point really.

What about the Joel Schumacher versions?
I have trouble watching my own movies. We’ll start there. I didn’t watch those, because it was material I felt close to. It felt weird to me. It was too close at the time for me to watch them.

So you’ve never seen them?
No. I mean, I’ve seen parts on cable. But I haven’t.

Do you find criticism that “Batman” was too scary unfair? After all, you’re not making these movies for kids.
I grew up watching movies where peoples arms got torn off. They’d run their bloody stumps down the steps. A monster would bite and tear off a piece of flesh from a doctor’s neck. You’d watch this on TV. They’re like dark fairy tales. I always feel like in that myth, fable world, kids can take more than adults think.

“Charlie and the Chocolate Factory” was for kids. And you still got stung—with people comparing Depp’s performance to Michael Jackson.
Yeah. We were quite saddened because we were basing it on LaToya Jackson. (Pause.) It’s something we never talked about. It’s one of those things so obviously in the culture at the moment, it’s easy to see what people are thinking. It’s certainly not something that he and I ever talked about.

What’s your favorite movie that you’ve done?
I don’t really know. It’s hard for me to choose, really. As time goes along, your perspective changes really. The further away you get, the more you like them. It’s kind of organic that way. I feel there are films that I feel closer to. I guess “Scissorhands” or “Ed Wood” or the stop-motion movies because of the artistry involved in them.